TalentC4E Talent

Artist agreements / Recording consent

Consent to record a live performance

Every corporate event has a phone in the front row and a social team that wants a reel. This one page settles who may post what, before the performer walks on.

For education only. Not legal advice.

For education only. This template is general information, not legal or tax advice, and not a lawyer-drafted document. C4E Talent is a talent agency, not a law firm, and using this template does not create a lawyer-client relationship with anyone. Law and tax rules change and differ by state and country. Have a lawyer or chartered accountant review it for your situation before anyone signs. You use it at your own risk.

Written by C4E Talent, a talent management agency in Mumbai. Updated 28 October 2026.

The short answer

A performance recording consent says what an organiser may record of a live act, where the recording may be used and for how long, how the performer is credited, what edits are allowed, whether the recording may be used to train AI or clone the performer's voice, and how the performer can ask for a clip to come down. This template covers it in 8 clauses.

Who signs
The performer and the event organiser or client who wants to record.
When
Before the event, or on the day before the set. Never after.
Length
8 clauses, each with a plain-English note
Formats
Word and PDF. Free, no sign-up.

The agreement, clause by clause

Each clause reads as it does in the download. Fill the [BLANKS], and where a line starts with ☐, keep the option you want and strike the rest.

1

Who and what

1.1[PERFORMER NAME OR STAGE NAME] (the "Performer") performs at [EVENT] on [DATE] at [VENUE, CITY], organised by [ORGANISER NAME] (the "Organiser").

What it meansOne performance, one event. Consent for this show is not consent for the next one.
2

What may be recorded

☐ Photos only.

☐ Video and sound of [THE FULL PERFORMANCE / UP TO [NUMBER] MINUTES].

☐ Sound only.

2.1Recording is by the Organiser's crew. Guests' phone recordings are outside the Organiser's control, but the Organiser will ask guests not to record the full performance.

2.2The Performer confirms that any music, video or other material in the performance is the Performer's own or cleared for recording, or will tell the Organiser in writing before the Event which parts are not, so the Organiser can mute or cut them.

What it meansTick what can be captured. The second line is honest about the front row: an organiser cannot stop every phone, but can ask, and can keep the official recording within the terms. The third line is for walk-on music and song parodies: a clip with an uncleared track can be taken down from the organiser's page, so the act names those parts in advance.
3

Where it may be used

☐ Internal use only, within the Organiser's organisation.

☐ Clips of up to [60] seconds on the Organiser's own social channels.

☐ The full recording on [PLATFORM],

☐ public

☐ unlisted.

☐ In paid advertising, for a fee of [AMOUNT].

3.1No other use, and no sale or licence of the recording to anyone else, without the Performer's further written consent.

What it meansInternal, social clips, the full set, or advertising: four very different things. Advertising use is a separate fee, because it is a commercial for the client.
4

Credit

4.1Every public post will credit the Performer as [NAME AND HANDLE].

What it meansA credit is the one thing a clip gives the performer back. Write the exact handle.
5

Edits

5.1The Organiser may trim the recording for length, but will not edit it in a way that changes the meaning of a joke or line, or combine it with other material that misrepresents the Performer.

What it meansCutting for time is fine. Cutting a joke so it says the opposite is not.
6

No AI training or voice cloning

6.1The Organiser will not use the recording, or allow it to be used, to train an AI model, or to generate the Performer's voice, face or style.

What it meansA performer's voice and timing are what they sell. This line keeps them off a training set.
7

How long, and taking it down

7.1The Organiser may use the recording as agreed for [12 MONTHS / AS LONG AS IT REMAINS POSTED].

7.2The Performer may ask in writing for a clip to be taken down. The Organiser will remove it from its own channels within [7] days if the request is reasonable, such as a clip that is out of context.

What it meansA time limit and a way to take something down. Most performers never use the second line; knowing it is there is what lets them agree to the first.
8

Payment

☐ The uses above are included in the performance fee.

☐ The Organiser pays [AMOUNT] for the uses above, in addition to the performance fee.

What it meansShort social clips are usually part of the fee. A full set posted publicly, or any advertising, should be paid for separately.

Signed by: Performer; Organiser. The download has signature, name and date lines for each.

Take the agreement with you

Consent to Record a Live Performance: Word to edit, PDF to print. Blanks are highlighted.

Law and tax notes

India

Under the Copyright Act 1957, a performer has the exclusive right to record their live performance and to broadcast or communicate it to the public (section 38A), for 50 years (section 38). The performer also keeps moral rights (section 38B): to be named, and to stop a distortion that harms their reputation. Trimming for length is not a distortion, which is what clause 5 allows. This form is the consent, with its limits written in.

UAE

The UAE has its own law on copyright and neighbouring rights, Federal Decree-Law No. 38 of 2021. If the event is in Dubai or elsewhere in the UAE, have a UAE lawyer confirm the performer's rights there before relying on this form.

Questions people ask

Can a company record a comedian's show at its event?

Only with the performer's consent. Under section 38A of the Copyright Act 1957, recording or broadcasting a live performance needs the performer's consent. This form records that consent and its limits.

Can we post clips of the performance on social media?

If the performer agrees. A common term is clips of up to 60 seconds on the company's own channels, crediting the performer by handle.

Should the performer be paid extra for a recording?

Short social clips are usually part of the fee. A full set posted publicly, or use in an advertisement, is normally paid separately.

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